I joined OGMC in the fall of 2019 – just in time to perform in the holiday concert before COVID. What a joy to finally be back together again in this fall of 2021!
I’ve been fascinated by theatre and music ever since I can remember. As a kid in Southern California I had a wooden orange crate in my bedroom that I had turned into a stagehouse. It was on its side, and I could fly sets through the spaces between the slats and move little figures around on the “stage” for rehearsals or performances. My mom rigged up a scalloped curtain on the proscenium arch for the “grand drape.”
As a present for my eighth birthday my parents surprised me by dyeing some sheets purple and creating stage curtains over in one corner of the garage. With my 78rpm record player “backstage” to provide the music, my friends and I would put on shows for ourselves and sometimes for our oh-so-lucky parents.
In fifth grade I had the tremendous good fortune of having Mrs. Edna Garberg as my teacher. She had a background in theatre, and she encouraged me to write a play, “The Wild Ride of Mr. Toad,” which the class then produced and presented. Years and years later, when I was a student at the University of Heidelberg, Mrs. Garberg came to Germany for a visit: We took in as many German theater productions as we could during that week!
My family lived on Okinawa from 1960 to 1962. It was during my freshman year in high school that my algebra teacher recommended me to an Okinawan samisen master, who had taught a blind man to play and was now in the market for an American guinea pig. For the next year-and-a-half I took samisen lessons with Mr. Yamashiro and eventually appeared on Okinawan radio and TV. Heady stuff for a 15-year-old!
One summer in college I performed with San Diego Civic Light Opera (Starlight Opera), but my next “serious” stage work wasn’t until I had finished graduate school and was gainfully employed as a college librarian. I joined the Lamplighters, San Francisco’s Gilbert and Sullivan troupe, where I met my future husband (Richard McCall) in a production of Pirates of Penzance. We moved to Berkeley, named our big Mission Revival style house Penzance, and hosted lots of cast parties. Rich and I were together for 38 years before his death.
When Rich and I retired and moved to Sebastopol, I enrolled as a theatre arts major at Santa Rosa J.C. It was my first formal training. A couple years later I also completed the ACT Summer Training Congress. Sonoma County had a vibrant theatre scene, but after Rich’s death I chose to return to the more immediate Bay Area, where I found a wonderful, bayfront condo in Alameda. I was playing roles all over the Bay Area (CalShakes, San Jose Stage, Stanford) until my aunt’s health deteriorated to the point where I needed to spend more time with her in Southern California, and I couldn’t commit to long rehearsal and performance schedules. That’s when I discovered OGMC! The one weekly rehearsal worked perfectly!
A couple months into the pandemic my 99-year-old aunt passed away (not from COVID). I inherited her three 17-year-old cats and spent lots of pandemic lockdown time with them here in Alameda, looking out at the bay. Other than our OGMC “Love is All that Matters” video, my big artistic adventure during that period was singing virtually with the New York City Gay Men’s Chorus.
Nowadays I’m president of my homeowners’ association; it’s kind of an interesting gig. Then, on Fridays I love commuting by ferry over to San Francisco to volunteer in the ACT Library. Still, most of all I am soooooo happy to be singing again in person with the Oakland Gay Men’s Chorus in our wonderful new quarters at Oakland First Pres! The body content of your post goes here. To edit this text, click on it and delete this default text and start typing your own or paste your own from a different source.
Voices from our Chorus Fred Rogers Reflects on His OaklandGMC Journey By June Kamerling
Conducting Change: A Chat with Bruce Southard, D.M.A.
Support the Oakland Gay Men's Chorus this Pride Month!
By Seth Frost (He/Him), Board Secretary, Baritone. As we welcome Pride Month, it's a time to reflect, celebrate, and honor the journey of the Oakland Gay Men's Chorus (OGMC). Our chorus was established in 1999, and since joining in 2018, I have been proud to be part of this vibrant community. From my very first interaction, I felt a warm embrace, an invitation to be part of something bigger than myself. For many, like myself, OGMC has been a core connection to the queer community, especially for those who came out later in life. Performing shows is more than a passion; it's our way of enriching the broader community in Oakland and the SF Bay Area, showcasing the joy found in queer life. At the heart of OGMC is our mission statement: "The Oakland Gay Men’s Chorus gives voice through song to a community where everyone matters." This guiding principle shapes everything we do. Being in a chorus means standing bravely in public, singing, supporting each other, and creating something more beautiful than any of us could achieve alone. This Pride Month, we're particularly excited about our 25th Anniversary Season, featuring "You Can’t Stop The Beat." This show is a showcase of our talents, with small ensemble and solo pieces prepared by our members. It's also a preview of the music we'll be taking to the national GALA festival in Minneapolis later this summer. Songs like "True Colors" are on the lineup, and I can't wait to see my friends shine. Celebrating Pride in Oakland and at the GALA Festival is especially significant this year. Our recent commission from Marques L. A. Garrett, requested by popular demand, highlights the collaborative spirit of our members. This show, filled with solos and special performances, is a true celebration of our talented membership. What does Pride mean to you? Seth Frost (He/Him), Board Secretary, Baritone. Pride is a call to step forward and assert that we matter, that our voices deserve to be heard. Pride events counteract hate and help heal the shame within ourselves. Singing loudly and proudly, we offer comfort and a beacon to those who can't yet express themselves authentically. Our year-round performances often end with the chorus spreading out around the audience, fostering a sense of community, welcome, and safety for all. June Kamerling (She/Her), Tenor 1 Pride is a celebration of the LGBTQ community and all it stands for. By participating in events like Oakland Pride and Alameda Pride, we give back to the community and practice visibility and inclusion. The impact of our events is profound, creating a supportive community where everyone feels they belong. Shawn Simon (He/Him), Board Vice President, Base Pride means being able to love ourselves unconditionally and seeing others empowered to live authentically. It's important to celebrate Pride to remind ourselves of our worth, connect with our community, and honor our history. Organizing events like our concerts has been profoundly impactful, creating an inclusive community and supporting local organizations.
By Melvin Terry March 31st was declared Cesar Chavez Day in 2014 by President Barack Obama. Cesar Chavez (March 31, 1927 – April 23, 1993) founded along with Delores Huerta the National Farm Workers Association (NFWA), which later merged with the Agricultural Workers Organizing Committee (AWOC) to become the United Farm Workers (UFW) labor union . International Women’s Day was first celebrated in the early 20th century and became a mainstream global holiday in 1977. It helps to focus attention on women and concerns such as gender equality, equal wages, and violence and abuse against women. Another important issue is the lack of attention paid to the substantial contributions of women.
By Melvin Terry Oakland is a diverse vibrant community with a goldilocks climate and an assortment of parks and trails with opportunities for exercise, socializing, and stunning visuals. It also has the benefits and drawbacks that come with a large city. But did you know about the history of Black migration to Oakland in the 1940’s and the rich culture that flourished in West Oakland back then? 7th Street, now the home of West Oakland BART and the sprawling main post office, was the hub of the community. There were many Black owned businesses and music venues. It was bustling and the place to be.
By Melvin Terry It doesn’t seem so long ago when I first heard of GALA (GayLa), a sort of choral Olympics where queer folks from around the world get together every four years to celebrate our existence and joyously sing for each other. Well, it was 16 years ago, when I first joined the then Oakland East-Bay Gay Men’s Chorus in 2007.
By June Kamerling Welcome to Aaron Hughes, recent-ish chorus member and our new Marketing Committee Chair. Aaron took over being chair of the chorus PR Marketing Committee when our former fearless Leader Denis Whitaker moved to Ohio last summer. Aaron comes to the marketing committee with loads of background in group management and organization. As I ask everyone I interview this first question, I asked Aaron as well….”How did you find OGMC”? AH: “It was just post pandemic, I was searching for the next thing I wanted to do. I did a google search and found that OGMC was having auditions. I reached out through a meet up group and got no response. I persevered and I later found out about the summer Sondheim Concert (this was summer 2022) Auditions and an open rehearsal were coming up. I went to the rehearsal to check it out and see what it’s like. I loved the feeling of this East Bay LGBTQ chorus community. I auditioned….and I was in. I even got a solo, the first concert as King George in the Hamilton song, “You’ll Be Back”. I asked, “What is your musical background?” AH: “In my earlier days I sang in a lot of chorus’s as a boy. I also played a bunch of instruments, but my true love was musical theater. My under grad is musical theater. I performed a lot in Australia, where I’m from. In my 20’s, I was passionate about Sondheim. I loved the PBS specials on the various Sondheim shows….(I’d watch in between other musical theater breaks). I got to see Company on Broadway the year Patty Lupone was in it”. J: “Would you talk about your sense of the chorus and how you got involved with PR Marketing?” AH: “Going into the chorus was my first opportunity to do something that was purely me. I was hugely nervous. I hadn’t done anything like this in 8 or 9 years. I felt like a deer in headlights. However, everyone was so friendly and welcoming, the chorus is where I found my “family”. I didn’t expect such an embrace of new people and non cliquey feeling as I’ve found in other chorus’s. It blew my expectation… having women and trans people in the chorus, being pronoun specific and respectful. There was so much care and attention to Covid policies. This was a different experience than other LGBTQ organizations I’ve been involved with. People were genuine, the music was wonderful and the organization seemed solid and like something I would like to be involved with. I think we don’t toot our own horn enough about how unique we are as an LGBTQ chorus”. J: “ What got you into being head of marketing- what’s your general sense of the structure of the chorus, aside from singing?” AH: “As I got more into the ‘behind the scenes’ of musical theater, I became a bit disillusioned and burned out so I stepped away for a while. I got a Master’s degree in Switzerland and travelled the world. Career-wise, I’m a chameleon. I was involved in mortgage, then hospitality for many years… now I have my own marketing firm. Within a year I’ve seen a massive arc in this chorus which lead me to wanting to be PR marketing chair. I entered the chorus at a seminal point of shift. The chorus came back after pandemic. Elements were shifting with-in leadership. There is an extraordinary amount of work that happens behind the scenes to have us where we are today. It’s pretty epic…..We’re having sold out shows back to back!! This is because of all the people in leadership, the strong foundation that has evolved. When it comes to Marketing and PR, I tend to get passionate for the WHY… Why do you want to do this as an organization? What’s the story? I started seeing challenges… an organization coming into transition. Some of the software systems we’ve utilized need to change and grow so that we can more clearly tell our story. So that we can be more visible in the community. Technology has changed so much over the years. We have to keep up with it and add it to PR marketing in order to be able to put ourselves out there to our members, our audience, our donors. Are we engaging with them? There are so many platforms available; Tic Toc, Instagram, Eventbrite, etc. Our audience base is diverse. Our communication ways need to be as diverse. I believe I bring this knowledge to this organization and to PR Marketing at this time… An understanding of these generational elements; Creating a space where this community gets to learn together. It’s a safe space where we get to tell our story. We get to add different elements of our visibility together.” J:“This is a big turning point- how do you envision the chorus going into the future”? AH:“I don’t think we celebrate how unique and spectacular we are. I see us being able to celebrate our story…..our history. Going into our 25 th year as a chorus is extraordinary. I joined this organization because of how people made me feel. I know I’m not alone in this. I can only see an organization like this growing and getting bigger, I don’t think it matters how big in numbers we get. We will not lose the authenticity that we have. I will continue to look at where I can be of value”. J: “Thank you Aaron for taking on this really important job as chair of PR Marketing. As a member of the PR Marketing committee I can already see a big difference in Our organization and push to become more visible out in the world as an LGBTQ chorus.”
By Melvin Terry We are thrilled to be joined by New Voices Bay Area TIGQ Chorus a mixed-voice choral ensemble for singers who self-identify as transgender, intersex, or gender-queer (TIGQ). Their goal is to build a creative, empowered, joyful space for our TIGQ community, to encourage voices that have been silenced or shamed, to grow and be heard, and to change how the world thinks about gender identity and music. In these troubled times when there are multiple attempts to roll back rights for Queer, Black and Brown people such as far-right commentator Michael Knowles announcing from the Conservative Political Action Conference stage a few weekends ago that “transgenderism must be eradicated from public life entirely,” and Supreme Court Justice Clarence Thomas hinting that after Roe Vs Wade was struck down other previous decisions should be revisited. Many of us are afraid that this conservative activist court might strike down same-sex marriage. There are many bills either passed or pending throughout the country restricting the ability to vote. Most affected by these new laws are Black and Brown people and people with limited means. Fortunately, some of us are showing our true colors and pushing back: A Nebraska Democrat, State Sen. Machaela Cavanaugh began her filibuster during a Senate meeting a few weeks ago vowing to filibuster every bill her state Senate colleagues introduce if they support a measure that would restrict certain transition-related health care for minors. “If this Legislature collectively decides that legislating hate against children is our priority, then I am going to make it painful, painful for everyone,” - Cavanaugh said during the meeting. The mission of the Oakland Gay Men’s Chorus is to give voice through song to a community where everyone matters. Through our repertoire, we aim to offer hope and encouragement to those in our community struggling with bullying, depression, and mental health and those who love them. These issues are highlighted in “You Are Enough” from Aron Accurso’s “A Mental Health Suite”. We believe you will be inspired and uplifted by Jonathan Larsen’s “Seasons of Love (from Rent),” Sara Bareilles’ pop hit “Brave,” and our title song “True Colors,” originally sung by Cyndi Lauper. “My Heart Be Brave” is a stirring and reflective piece composed by African American composer, Marques L. A. Garrett and based on a Sonnet by James Weldon Johnson, also African American, who along with his brother John wrote the words and music to “Lift Every Voice and Sing”, the Black National Anthem.
By June Kamerling With our upcoming spring concert, “True Colors,” a few weeks away I interviewed Seth Frost and Kelvin Ellis, two baritones in Oakland Gay Men’s Chorus. They both also sing with New Voices Bay Area Trans, Intersex and Genderqueer Chorus, who will be joining OGMC for a few songs. I asked Seth first, “How did you find OGMC, and what was the chorus like when you first joined?” “My former voice teacher Eli Conley ( www.eliconley.com ) told me about OGMC. He knew Billy Sauerland, our previous director before Ben, because Billy did his dissertation on voice education for trans people and Eli is passionate about teaching trans singers. That was in summer 2018, so I’ve been in OGMC for roughly 10 seasons. I was nervous at first because I hadn’t been a part of a queer chorus before, but everyone was really friendly and welcoming. My first concert was the summer show, kind of Disney-esque. Some of the members were auditioning for small ensembles, and doing all this cool singing/dancing and there were costumes. It was pretty amazing and really fun. Most memorable was Billy announcing that there would be a giant evil Donald Trump head during the theme song from ‘Little Shop of Horrors’. I thought he was kidding. He wasn’t.” Seth moved to the Bay Area in 2015 from Lawrence, Kansas. He took piano lessons as a child, and later sang in the civic choir in his home town. He didn’t have traditional voice lessons until he started with Eli. Seth’s mom had played clarinet in high school, so Seth followed suit, but eventually quit band because it conflicted with the Latin class he wanted to take (“I was the wrong kind of nerd for marching band”). Next I talked to Kelvin, one of the newer members of OGMC. “I found my way to OGMC in January 2022, through Seth. I grew up in a family of singers and musicians, and I was interested in singing but not at all confident in my voice. I did take piano. Around 2012 I took my first taiko drumming class and loved it. In 2018, after coming out, I found a group called Queer Taiko which I still perform with periodically ( taikoandcommunity.org/queertaiko ). [Seth says he’s very good.] We do some vocalizing, like shouting words and sounds, and the teacher was very encouraging, so that kind of unlocked my voice finally. Then in 2020, a friend-of-a-friend recommended ‘New Voices.’ I joined on Zoom during lockdown, and it was like part chorus, part support group. When we resumed rehearsing in person, I met Seth. We sat next to each other, and then started carpooling from the East Bay, and… On one of our first dates, Seth was gushing about this other chorus he was in (and on the board of). I was nervous but it sounded super fun and I wanted to finally get into singing. OGMC has been a blast. I feel like I’m finally in the right place at the right time.” About New Voices New Voices Bay Area Trans, Intersex and Gender Queer Chorus will be joining Oakland Gay Men’s Chorus in our April 15 th and 16 th concerts “True Colors”. New Voices Bay Area TIGQ chorus is run like a (free!) tuition class through San Francisco Community Music Center. Here is a little about them, including a socially-distanced recording made for the 2021 Billboard Music Awards: https://ybgfestival.org/event/new-voices-bay-area-tigq-chorus/ They’ve been around since 2018 and sing about 4-5 engagements a year. The chorus is comprised of about 30 men, women and a wide variety of people with non-binary gender identities. Rather than SATB, the voice categories are numbered as 1, 2, 3, 4. Singers are able to move from one part to another as they feel comfortable, and there are often in-between parts, “1.5, 3.5” etc. The director is Reuben Zellman, one of the first openly trans rabbis in the country ( https://www.wikipedia.org/wiki/Reuben_Zellman ). “How did it come to be that we’re singing together?” Seth has been telling each group about the other for a while, trying to be a bridge between the two. Previous director Billy was especially aware of trans issues in the singing community and worked hard to make the chorus a trans-friendly place. When Billy left, Seth made it his job to bridge the two choruses. Brian Tognotti, on the artistic committee of OGMC, asked Seth who to talk to, and Seth got him in touch with Reuben. In our time talking, we discovered that Kelvin’s parents were in The Berkeley Broadway Singers chorus with me many years ago (small world).